Let the rebuild begin...

Leandros Taliotis Baritone at St Martin’s Church, Kensal Rise, London

Let the re-build begin…

A London Opera singer discusses resetting himself after a life-defining medical event

I guess the start was 7 June 2023 when I was admitted to Charing Cross Hospital the day before my surgery. A month prior I’d suffered a seizure at home early one morning: A rather dramatic and, naturally, worrying episode for my wife and son. The cause was a large benign brain tumour, pushing into my frontal lobe that had likely been growing for years, if not decades. It was now time for the major procedure to remove the offending article.

Would I or wouldn’t I sing again?

Fuelled by trepidation and fear of the unknown, several thoughts entered my mind. Among them was whether or not I’d be able to sing again following the procedure. This was not a conversation I had with my doctors. Frankly it was clear that there were more important matters at stake.

Yet I must confess that considering this issue sparked mixed emotions:

·       On the one hand, pulling through, being tumour-free and being able to live a ‘normal’ life, present for my family and friends, was good enough.

·       On the other, the prospect of losing the ability to pursue the artform I love and express myself through singing was both sad and frightening. 

The day after surgery I felt overwhelmingly positive. Euphoric in fact. It’s likely that some of this was fuelled by anaesthesia, pain meds and steroids. But against all odds I was able to get up on my feet and start looking forward to the rest of my life. For the first time since my twenties, the world was my oyster!

A few days later, whilst loafing around (convalescing) at home, I couldn’t help myself and tried singing a few phrases. There were two main takeaways from this:

1.        Singing with a fresh, 14cm scar on one’s head is painful and, thus, pretty misguided.

2.        I could actually still sing! Hallelujah!

Considering observation no.1, I gave singing a rest for a few weeks and instead spent my days enjoying the cafés and open spaces of Kensal Rise, my lovely, friendly and, dare I say it, cool neighbourhood in inner London. My wonderful, supportive wife was constantly present and the sun shone most of the time. When it didn’t, I busied myself upping my home espresso game with my beautiful classic Italian lever machine: A birthday/happy to be alive (mid-life crisis?) present from me to me.

The good news brought by observation no.2 was that getting back to singing was only a matter of time. 

Leandros Taliotis Baritone enjoying café life in Kensal Rise, London, albeit a few months later…

London opera singer gets back in the saddle


The biggest challenge here was being patient. I’ve been in this game long enough to know that this is key to getting back to vocal fitness. In fact, I’ve taught hundreds of fledgling singers over the years who have had to endure my moans on the subject. Yet I’m ashamed to say that the adage ‘do what I say, not what I do’ applied in this instance.

I think excitement got the better of me. I was engaged in a conflict between doing careful, patient work on the one hand and ticking off repertoire on my bucket list on the other. Sure, it’s always a pleasure to warm-up with a spot of ‘accent method’ and a few lip trills. They always get the body, breath and vocal folds going. But maybe going straight into ‘Cortigiani’ from Verdi’s Rigoletto is a bit extreme. 

Leandros Taliotis Baritone. ‘Caught in the act’ with Verdi’s Rigoletto. In Brixham, South Devon.

My family and I travelled to south Devon for a couple of weeks, a regular bolt hole of ours. I was feeling fragile and, unusually, missed home. But one of the highlights for me was spending time singing through some Verdi whilst looking out to sea. I took the opportunity to do this every time my wife and son went for a cold dip (citing medical reasons for not joining them…). I even calmed down my repertoire choices, relatively speaking, revisiting Rodrigo’s death scene from Don Carlo. Also by Verdi, of course (it seems a theme is developing…) but a much more sensible choice at this stage!

This was all very enjoyable, but it was time to seek professional input. So, with trepidation, I emailed my long-term teacher and mentor Russell, who I hadn’t seen in a long time. He responded quickly and with characteristic kindness and enthusiasm and booked-in a lesson for my return to London. It was time for that focused, structured and patient work to begin in earnest. More about this next time…

In the meantime, thank you very much for indulging me recounting this extraordinary life event and, dare I say it, watershed moment.

Who are you? What are you? Baritone, Opera Singer, Concert Singer, Singing Teacher...

Leandros Taliotis Baritone at Portobello Dock

The upcoming set of blog articles I have planned (and written in part!) is dedicated to my rebuild as a singer and singing teacher following recovery from life-defining illness. But before that, it occurred to me that a more personal ‘who am I?’ post might provide some context. Sure, you can check-out my biography. But what has my professional life really felt like?

 

Q: What do you do for a living?

A (choose one from the list…): I’m a classical singer. I’m an opera singer. I’m an opera singer and singing teacher. I’m a Baritone: An operatic Baritone.

Q: Where are you based?

A: I live in London but work all over the UK and abroad.

 Q: Are you a member of a company?

A: No, I work freelance.

And so the conversation continues…

                       

Telling people what I do is generally met with a degree of interest - sometimes even fascination - and I always get asked plenty of questions: About what precisely I do, how it ‘works', my thoughts about particular performances or artists and, when I talk about my work as a voice teacher, even more specific questions relating to voices and singing technique. It always strikes me how many people have thoughts, experiences and opinions about opera and classical singing: seasoned opera-goers, aspiring students and amateur/semi-pro singers at one end of the scale to those who don't proactively follow the art form, but couldn't help be moved by Nessun Dorma way back at Italia '90 and other of the opera greats that crop-up on TV and in the media at the other.

 

So who am I? I’ll spare you the long biography this time (you can find all that on my brand-spanking-new website). In short, I am a baritone from London and have often described myself as something of a 'Journeyman'. I've undergone intense and drawn-out training, from a music degree at Cambridge through to vocal and opera studies in London and Belgium and, several years down the line, continue to hone my craft with leading teachers and coaches. I've already performed with many opera companies and opera houses, both big and small, in the UK and other European countries, and enjoy a busy time on the concert circuit which takes me all over the UK from small rural settings to major London concert halls. In addition to this I spend several hours each week teaching singing to talented teenagers and adults, diagnosing and correcting their technical issues, exploring the riches of classical vocal music with them and helping them with matters of confidence, motivation and mindset.

Leandros Taliotis Baritone in his Kensal Rise studio, listening to a student

So, I'm neither fresh out of college, nor am I a celebrated opera star or distinguished professor of voice but inhabit that area between the two. I'm regularly being sent to far-flung and at times random places to audition for roles and the next ‘big break’. I'm constantly thinking about what I do and re-evaluating elements of my 'package', as well as trying to keep things fresh for my students. Experiencing the highs and lows of this at times precarious, but ultimately most rewarding profession is pretty frequent.

Leandros Taliotis Baritone. Sid in Albert Herring by Benjamin Britten, Teatro Rendano Cosenza

This blog is my chance to voice my thoughts, ideas and observations about singing, music and opera-related matters and beyond.

New site, new beginnings

Welcome to the first short post of my blog. I’m dead excited that my new website is complete after many months of thought and planning. This truly represents the opening of a new chapter in my singing life.

Last year I became acutely unwell with a brain tumour and required major surgery. This seemingly came ‘out of nowhere’ but on reflection, and in discussion with the numerous amazing medical professionals to whom I was referred, the signs were there for some time. I am delighted to say that after a challenging few months, I have made a full recovery and in parallel with this I have started a singing and career rebuild. For my forthcoming posts I’ll be discussing some of these things. I shall spare you gruesome details, as this is now a positive and exciting time. Onwards and upwards!